Writer and Director Lyn Ferrand founded Turning Point Theatre Company in 1989. In 2000 she co-founded Buzzword Interactive Films and made award winning theatre and training film dramas. She worked in the USA and Canada as well as touring in the UK.
(Jane Bellamy as the carer.)
A photo from Lyn’s Play CARERS, showing a carer jumping through hoops to get benefits. Tickets for the show came back printed CAREERS. The printer said: “There is no such word as carer.”
The first performance was in 1999. The show toured continually until 2004. It was then made into an award winning film to be used as a training resource.
Working in association with a variety of voluntary and statutory agencies over a period of 14 years she was commissioned to write and direct plays and films that looked at diverse health and social issues. She designed and ran training programmes using theatre and film. Clients included The Crown Prosecution Service, The Devon and Cornwall Police, Devon County Council, Lancashire County Council, the Scottish Mental Health Association, Women’s Aid, Rethink UK and Carers UK. Lyn worked with director and humanist Augusto Boal She wrote forum theatre plays and worked as a forum theatre practitioner for many different clients in the field of health and social care. Her article about her work with carers is published in Contemporary Theatre Review.
Lyn is now retired, but keeps her hand in by attempting to write her memoir and a new novel. Last year she was diagnosed with cancer and is now in recovery . She has been caring for her husband since his stroke in 2017.
THE POWER OF DRAMA TO RAISE AWARENESS AND STIMULATE CHANGE.
At the start of 2024, ITV television produced a drama that highlighted the worst injustice against hundreds of people running Post Offices in the UK . The scandal of wrongfully accused and convicted innocent people who had been using a faulty computer system installed by the Post Office has been going on for years. Finally, after the broadcast of the drama, the story has been told to the general public. They are now aware of the horror this group of people have been subjected to and will now finally have the ears of the government, who up until this moment have been slow to act.
I have always been convinced of the way well written and researched drama, be it in film, TV or theatre can raise awareness and promote understanding and ultimately change. My own work focussed on this when I founded Turning Point Theatre Company. At the time, I was often told by the arts fraternity that to write and produce such campaigning theatre wasn’t really art for arts sake. How wrong that was. My plays went to the heart of all sorts of issues and injustices and using the technique of Forum Theatre gave audiences a chance to debate the issues after performances. It bought together the policy makers and those wanting change and allowed them to discuss ways forward. Bold funders financed my work and I thank them for their vision.
My play CARERS was first produced in 1999 and toured the UK. I will never forget the passion with which carers in the audience told their stories and the way those who worked professionally in Social and Health services reacted to hearing these stories in a public arena. My kind of drama did not become popular for some time. Now, thankfully it is mainstream. Powerful and revealing, interactive and seeking realistic resolutions that are actionable, this type of drama will, I hope continue to touch people like nothing else can. Lyn Ferrand. January 2024.
THE LOST CHILD can now be viewed on You Tube.
THE LOST CHILD has been described as : “An example of exceptionally effective learning”
The DVD was commissioned by Lancashire Social Services for the ACPC . It was written and directed by Lyn, produced by Mike Berenger and shot by Greg Browning.
The film was:
- Highly Commended at The Community Care Awards
- Highly Commended at the Cumbria and Lancashire SHA Achievement Awards
- Winner of The National Training Awards North West
- Winner of The Skills for Care Training Accolade and was awarded 4 stars in Community Care Magazine.
The Lost Child is currently being used nationally and internationally (University of Southern Australia) and has proved to be a very useful and innovative training resource.
“North Essex Partnership Foundation Trust is using the DVD The Lost Child as a component of its mandatory two day Safeguarding Children Training which is provided to all clinicians and practitioners working within NEPFT. The DVD is used as an interactive exercise within which professionals explore the impact of parental mental illness on the child and the knowledge of professionals working in different domains and agencies.
The response to the DVD – (which has been used as part of the mandatory training programme for over three years with more than 750 professionals) – has always been excellent. It enables professionals to consider the impact of mental illness on relationships, the position of the child and frequent absence of the child’s voice in adult mental health services. Following use of the DVD as an interactive exercise, professionals link the lessons learned into policy and procedure – for example the use of genograms in all assessments. The DVD is thus an essential component in translating theory regarding the impact of parental mental illness on children and families into practice” Consultant, Safeguarding Children & Adults. North Essex Partnership Foundation Trust
COMMUNITY CARE MAGAZINE:
“I hope this DVD is an indicator of just how far on-a-shoestring, role play-reliant social care training has come. The fact that this is a DVD for one blows the cobwebs off the technophobe perception of top-loading VCRs, writes Graham Hopkins.
Back in the early 1990s, I remember having to use a video of Monty Python’s parrot sketch on my courses on social care complaints just to have a visual break. But it is the top-notch quality of this professional production that stands out. Happily, it is a quality that training resources – often themselves the neglected child of social care organisations – are increasingly now providing.
Bravely commissioned by Lancashire social services to explore child protection and parental mental illness, the 30-minute film for the most part convincingly traces the relationship between Alison (Anita Parry) a make-the-best-of-it mum and Nick (MikeBerenger) a mentally-ill study in smouldering tension.
It is seen in flashback through the eyes of their 16-year-old daughter, Tina (Frankie Waller), the acting star of the piece – despite her accent occasionally wandering up and down the M1. Her line, “I’m not a child – don’t think I’ve ever been a child,” is the film’s sound central message.”
Star Rating: 4/5
Lyn’s play Aggravated Trespass was commissioned by The Crown Prosecution Service and The Devon Racial Equality Council. It was presented to an audience of judges, magistrates and police at a major conference in the South West.
“A polished cast of actors delivered a telling script raising a number of highly pertinent issues around racism in rural communities. Peter Ellis (Chief Inspector Brownlow from ‘The Bill’) played a newly appointed JP who found himself hosting a ‘difficult’ dinner party where his student daughter introduced her black fiance and his barrister sister to two family friends whose attitudes to ethnic minorities were sadly all too familiar. The play required its audience to think carefully about how black people are received in the prosperous shires and how ‘liberal’ facades can so easily mask deeply irrational prejudices.”
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